I have always watched too much tv — a personal narrative.
My grandparents, who were my main parental figures growing up, didn’t work 9 to 5s. My grandfather worked as a bus driver for the Chicago Transit Authority, for over 20 years. His schedule often fluctuated. My grandmother worked as an expeditor for architectural firms. She made her hours and often came home later in the evening. For a significant part of childhood and all of my adolescence, I spent a lot of time alone. Sometimes I would go to my friends’ homes after school or my younger cousin would stay for the evening; however, from 3:00 PM-8:00 PM on weeknights, my main source of connection to other humans was through our living room television, the screen of my family’s desktop, and the pages of fiction.
It was not until recently that I learned of the term ‘latchkey kid.’ I had been watching the A&E Freaks and Geeks documentary on Amazon Prime when I noted the phrase. It had been used during an interview portion of the documentary when one of the production team members used it to describe Bill Haverchuck. The documentary cut to a scene of Bill, one of the show’s “geeks”, sitting in front of a television, laughing hysterically, with grilled cheese and Entenmann’s chocolate cake on a TV tray. The interviewee recalled their childhood similarities to Bill — the experience of a latchkey life. I was immediately intrigued and paused the documentary to turn to Google.
Freaks and Geeks, Episode 14: Dead Dogs and Gym Teachers
The search brought me to the Wikipedia definition, listed as “a child who returns to an empty home after school or a child who is often left at home with no supervision because their parents are away at work.” I reflected more in-depth on this and found myself assessing my relationship to fiction and how it raised me.
I have always watched too much tv. I used to read voraciously. I would buy random ‘pre-viewed’ DVDs from Blockbuster and played them in rotation until I got my hands on a new batch and a new rotation started. My grandparents often enabled my habit as a reader, yet I would go through books too quickly for my family trips to the library or Borders to keep up. Most of my planned reading for the week would be completely consumed by the end of the night on Tuesday or Wednesday, so the rest of my weekly time alone, I would turn to watch things.
At a young age, I viewed watching television as infinite. I watched everything — movies, children’s shows, reality television, teen dramas, daytime television, sitcoms, documentaries, sometimes even infomercial channels. Fifth grade is when I truly became in awe of all that the small screen had to offer. My grandparents had upgraded to the premium package on Comcast. We went from a few dozen channels to having HBO, The N, Discovery Kids, multiple channels of MTV, channels that played history docuseries around the clock, the Filipino variety show channel, and so much more.
Film, literature and television was how I got to know the world. When I was a teenager, I more actively started to engage with what I was watching and reading. Fiction helped me dream of what I wanted for my life. How I consumed television and film during those years laid the groundwork for who I am as a person now. That was also when I had begun to use fiction to feel less lonely, to escape from the pressures of turbulent home life, to relate to my peers. I had curated a group of friends that also had independence thrust upon them at a young age. Watching tv with each other over the phone and renting films to watch together on the weekends was a big part of how we related to one another — the common interests that bound our friendships, as mutual indoor kids. My high school years also coincided with Netflix’s shift from delivery rentals to mainly streaming, which allowed us to consume a new set of content, in an entirely new way. With adulthood approaching, we segued into the era of series binge-watching.
I was diagnosed with panic disorder and major depression when I was in my sophomore year of university. It was around that time that I became more cognizant of the way that I used television and film as coping mechanisms. Sometimes they served healthy coping mechanisms, sometimes they became more like distractions, and numbing agents. Whatever the case, I sometimes doubt that I would’ve gotten through some of my lowest times without the fictional characters, places and storylines of my favorite shows.
In 2017, I struggled with some chronic health issues. It took me a year to stabilize. At that time, I hardly saw my friends. I had just graduated from university and had to delay my entrance into the workforce. I was unemployed for a full year, living with my then boyfriend’s family in an unfamiliar suburb. I was too ill to hold down a full-time position. I was always in pain. I entered the longest depressive episode of my life, which made reading, my first love, feel daunting. I also struggled with a lot of vestibular migraines. The aftermath of those lingered for days and sometimes left me in a fog that made the words on a page feel painful.
I still had television though. On my worst days, I often only had the bandwidth to make doctors’ appointments, eat oatmeal, and rewatch television series I had already seen. The Chinese Restaurant episode of Seinfeld made me smile when I otherwise felt numb. Buffy the Vampire Slayer made me feel resilient when I felt incapable of basic human functions. Daria made me feel understood when I felt completely isolated from my peers.
Seinfeld, Season 2 Episode 11: The Chinese Restaurant
On my better days, I could venture into a new series, which involved more attention. I mainly consumed television rather than movies for the most part, as I didn’t like having my time spent with characters and plots to feel limited. (The major exception to this was the MCU, due to the span of central, interconnected plots.) With access to Netflix, Hulu, Amazon Prime and HBO plus, I found television to again feel like my main connection to other people. When I felt like I didn’t have anyone else, I had Mr Robot, Atlanta, Glow, Mozart in the Jungle, Westworld, Stranger Things, Game of Thrones, Black Mirror, Big Little Lies, Insecure. When the pain from my migraines, GI issues, ovarian cysts, and mundanity of my newly “sick” life made me feel terrible, watching the fictional lives of others helped me escape. Watching these fictional lives, helped me feel like I was surrounded by others and living their lives with them when my own life felt on pause and isolated.
In 2018, I was fortunate enough to get on a successful diet and medication combination that allowed me to stabilize my health, move back to the city, reestablish my friendships, and resume my career. Even so, I still have more mild depressive episodes. I still get medical flareups. I am still a normal person who occasionally faces conflict, as that is just life. When I’m in those darker places, television is often both a distraction and connection that helps me recalibrate. Now here I am, at my current age of 26, and I still depend on fiction to be there for me.
Once the COVID-19 lockdowns and restrictions started in March of 2020, I, like everyone else around the country, found myself limited in social interaction. I maintained some level of relatedness to others through my cat, my boyfriend, group texts with friends, and my Zoom work meetings. Yet, television was again a big part of how I related to the human experience. Television persisted in reminding me of what life was like pre-pandemic and what it could be in the future. It has helped me keep boredom and restlessness at bay. Through this time, I’ve found myself watching many series that I would have never watched otherwise. I have also found myself analyzing the series that I watch more thoroughly and with more curiosity than I had the capacity to in my youth and during my time of medical distress.
This year was also the first year that I have started writing for leisure, since high school. Being so online over the past year, I’ve often found myself with many thoughts to collect, package cohesively, and express, yet I’ve felt very limited by the current platforms I often interact with. I often feel like I cannot articulate meaningful thought on platforms like Instagram and Twitter, which are limiting by word limit and social media norms. My newfound revived interest in writing has often collided with my enthusiasm for television, film, and pop culture, more broadly.
It may be true that I watch too much television. It may also be true that television was one of my first true friends and in many ways an extra parental figure. I want to move beyond watching too much television. I want to openly explore television, what it means to me, what it means to the collective, and examine the things that we love to watch or have loved to watch with a critical lens. That is what I hope to express on here.
